Printing Black America: Du Bois's Data Portraits in the 21st Century
William Villalongo and Shraddha Ramani
COMMUNITIES
William Villalongo and Shraddha Ramani, Black Interstate Migration by Region, 2025. Color aquatint with chine collé. 28 x 22 in. Edition of 20. Printed and published by Paulson Fontaine Press, Berkeley, CA. © Villalongo Studio LLC. Courtesy William Villalongo, Shraddha Ramani and Paulson Fontaine Press, Berkeley, CA.
BLACK INTERSTATE MIGRATION BY REGION
The infographic correlates a number of recent reporting by Brookings, The Guardian and The Washington Post that have exposed a "New Great Migration," a reference to the historical "Great Migration" at the turn of the 20th century. We pull data from the American Community Survey 2023 and IPUMS USA that validate these claims. From the early 1900s until the 1970s, Black people moved to northern cities from former slave states in the American South in massive numbers, looking for job and education opportunities and evading Jim Crow laws and lynchings. By mapping the interstate migration flows of Black people by region, one can see the larger volume flows from all regions moving to the south, including a large number of people from the south choosing to move within the region. In our artwork the data is clear the largest migration flows represented by colorful bands move from the West (pink), Midwest (yellow) and Northeast (green) into the South (blue).
William Villalongo and Shraddha Ramani, Prison Labor Wages by State, 2025. Color aquatint, spitbite aquatint and softground etching with chine collé. 28 x 22 in. Edition of 20. Printed and published by Paulson Fontaine Press, Berkeley, CA. © Villalongo Studio LLC. Courtesy William Villalongo, Shraddha Ramani and Paulson Fontaine Press, Berkeley, CA.
PRISON LABOR WAGES BY STATE
The infographic reimagines Du Bois's original data portrait, titled "Proportion of Freemen and Slaves Among American Negros." In his original work, Du Bois is tracking arguments in the institution of slavery in the U.S. by showing the recorded freemen and slave populations. Starting at 1790, when the Pennsylvania Society led by Benjamin Franklin presented a petition to the First Congress, urging them to take action against slavery, the timeline ends at 1860, representing the last years of the American Civil War, which ended with the abolition of slavery as the law of the land through the 13th Amendment. We pick up from here by invoking the 13th Amendment and the living legacy of slavery in the form of the American Prison-Industrial Complex. The 13th Amendment itself makes clear the carceral system would be the new front for slavery in the U.S. Our work focuses on comparing the Federal Minimum Wage (black) to prisoner wages (DOC orange) through its various work programs. This reveals quite clearly that the crux of arguments for slavery has always been about slave labor vs. free labor and is the main legislative concession to the Confederates within the amendment after their "Lost Cause." Currently, California Assemblywoman Lori Wilson intends to introduce a new anti-slavery amendment for the state’s 2026 ballot, which would challenge prison labor practices.
The 13th Amendment: "Neither slavery nor involuntary servitude, except as a punishment for crime whereof the party shall have been duly convicted, shall exist within the United States, or any place subject to their jurisdiction."
William Villalongo and Shraddha Ramani, Black Bookstores in the United States, 2025. Color aquatint and softground etching with chine collé. 28 x 22 in. Edition of 20. Printed and published by Paulson Fontaine Press, Berkeley, CA. © Villalongo Studio LLC. Courtesy William Villalongo, Shraddha Ramani and Paulson Fontaine Press, Berkeley, CA.
BLACK BOOKSTORES IN THE UNITED STATES
The infographic brings focus to the longstanding tradition of Black bookstores as cornerstones of Black communities across the United States by mapping their locations. In this visualization, we highlight the work of two visionary women: one historic and one living. The data, which maps current and some historic bookstores across the U.S., comes from Katie Mitchell's Prose to the People: A Celebration of Black Bookstores. Prose to the People collects historical and contemporary stories on the phenomenon of Black Bookstores and their locations. It offers beautiful moments of poetry throughout and features a foreword by Nikki Giovanni.
The look of our bookstore map stands out from all the data portraits we have made because it approximates the design aesthetic of historic cartographer Louise E. Jefferson. Jefferson was one of the first Black women cartographers working in the early half of the 20th century and a fixture of the Harlem Renaissance community of artists.
As we encountered the visionary and sensitive works of these two women, we knew immediately that pairing them within a data portrait was the only logical way to see Black bookstores in the U.S. Jefferson's historic work has added to the development and awareness of Black history through her groundbreaking work in cartography, while Mitchell's collection of Black bookstores underscores Jefferson's work by offering an important chapter to Black literary histories.
William Villalongo and Shraddha Ramani, Black LGBTQ+ Population in California, 2025. Color aquatint and softground etching. 28 x 22 in. Edition of 20. Printed and published by Paulson Fontaine Press, Berkeley, CA. © Villalongo Studio LLC. Courtesy William Villalongo, Shraddha Ramani and Paulson Fontaine Press, Berkeley, CA.
BLACK LGBTQ+ POPULATION IN CALIFORNIA
This infographic gives an overview of statistics on Black LGBTQ+ life from the California Health Interview Survey cross-referenced with the American Community Survey (U.S. Census). In November 2024, California consecrated marriage equality in its state constitution and repealed Proposition 8, a proposition that would ban same-sex marriage. While the front for LGBTQ+ rights has moved past marriage equality in recent years, the fight over Proposition 8 was an inflection point as it turned on a Supreme Court decision that declined an appeal to uphold Proposition 8, thereby giving legal precedent for same-sex marriage. While we find the Black LGBTQ+ population to be a small portion of the Black community in California, their stories and lives are no less important to highlight here. This also becomes reparative in that Du Bois's original data portraits do not address these Black communities. As we reimagine his original works for the 21st century, we recognized the significant contributions of LGBTQ+ communities in Black life today. Our portrait references the original "Pride Flag," created in 1978 by Gilbert Baker, as commissioned by local legend Mayor Harvey Milk. The creation of this artwork incorporates a direct impression of a flag etched into the plate, allowing the weave of the fabric to be visible under the colors.
William Villalongo and Shraddha Ramani, African American Burial Ground Project & Tropicana Field, 2025. Color aquatint and softground etching with chine collé. 28 x 22 in. Edition of 20. Printed and published by Paulson Fontaine Press, Berkeley, CA. © Villalongo Studio LLC. Courtesy William Villalongo, Shraddha Ramani and Paulson Fontaine Press, Berkeley, CA.
AFRICAN AMERICAN BURIAL GROUND PROJECT & TROPICANA FIELD
This is a visual translation of a living project being done by the University of South Florida's Heritage Lab, led by Antoinette T. Jackson, PhD. We expose the geologic layers of history under Tropicana Field according to the Heritage Lab's research. Each layer shows the emergence and disappearance of Black communities and their cemeteries, which were paved over by consecutive rounds of development. Recent scans reveal remains still interned, contrary to official accounts of removal, as new luxury housing developments and rebranding of the area's story takes place. This research by the USF Heritage Lab is ongoing and is revealing more sites in the region where historically Black communities, their stories, and ancestors have been erased from official histories, even while living in the memories of descendants. Dr. Jackson is also founder and director of the Black Cemeteries Network, bringing together professional historians, archeologists and local activists who are recovering lost Black cemeteries across the United States.
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William Villalongo
William Villalongo was born in 1975. He lives and works in Brooklyn, NY. He received his BFA from The Cooper Union School of Art, MFA from Tyler School of Art at Temple University and attended Skowhegan School of Painting & Sculpture. His figurative paintings, works on paper and sculpture are concerned with representing the Black subject against notions of race and exploring metaphors of mythology and liberation. His curatorial projects – American Beauty at Susan Inglett Gallery in 2013 and Black Pulp! touring nationally between 2016-2018 – explore the intersections of politics, history and art. Villalongo is the recipient of the prestigious Louis Comfort Tiffany Award and the Joan Mitchell Foundation Painters & Sculptor's Grant, and was the 2022 Jules Guerin & Harold M. English Rome Prize Fellow in Visual Art. His work is included in several notable collections including the Studio Museum in Harlem, The Whitney Museum of American Art and Princeton University Art Museum and El Museo del Barrio. His work has been reviewed in Art in America, The New Yorker and the New York Times. The artist is represented by Susan Inglett Gallery, New York and is an Associate Professor at The Cooper Union School of Art.
Shraddha Ramani
Shraddha Ramani is an urbanist and researcher based in Brooklyn, NY. She uses data visualization and mapmaking as tools to make cities more resilient and equitable. Her work is centered around democratizing data to better equip communities to make informed decisions about their futures. She worked in multiple capacities in the Geographic Information Systems (GIS) department at New York City Emergency Management, finishing as the Director of the GIS Data Center. In this role she directed a team to make data-driven decisions for emergency planning, response, recovery, and mitigation. In earlier roles she developed online applications to help the public visualize and understand natural hazard risks in their communities. Previously, she worked on the development of the Future City Lab exhibition at the Museum of the City of New York. Shraddha Ramani is from Bangalore, India and her work is heavily informed by her own immigrant experience. She has participated in planning projects in India and Brazil and was a Peace Corps volunteer in Ecuador. She has a Master's degree in Urban Planning from Columbia University, and a BA in Environmental Studies from Oberlin College.
Further Resources
William Villalongo's Website: villalongostudio.com
Printmaking + Sculpture Terms
Sales
For sales, or more information about an edition, please contact Graphicstudio at (813) 974-3503 or gsoffice@usf.edu.
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Images of the artwork are jointly owned by the artist and Graphicstudio. Reproduction of any kind including electronic media must be expressly approved by Graphicstudio.